![]() ![]() One of the big differences between that era and now is that back then, many producers were obsessed with making the most original music possible. ![]() Making everything yourself – a form of being independent – had been rooted in the culture of electronic music. DIY was the established way to do things everyone was contributing in one way or another. Then came a huge rise in popularity in the electronic music world, and by the 90s, it had its own culture. Equipment was extremely expensive and not easy to find, so many artists would work with whatever they could get their hands on. Back then, electronic music was not really well-known, and producers had a hard time getting support from traditional media and distributors they had to do everything themselves. It’s hard to answer this question, but I’ll try to debunk the source of that question to help clarify a few things.įirstly, the world of electronic music really started in the late 80’s with a DIY mentality. You might ask yourself, “are there more benefits from making all my sounds by myself? Will I get more recognition that way?” We all know it’s a matter of culture derived from how producers have approached their art. ![]() I refer to electronic music because in other spheres, such as trap or hip hop, the debate is non-existent. using a harpist’s melody for your deep techno song, or sampling electronic music that isn’t yours) and using prefabricated samples for making your song.Īs time goes on, I read and hear about more and more debates regarding sampling in electronic music. Sampling in electronic music involves two main types: using another person’s idea (e.g. ![]()
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